Music in the Columbia University Chapel
September 5, 2012
There has been a lacuna in postings here because of my travels and other consuming activities. But I wanted to post this invitation to singers professional or amateur who are in any way connected with, neighbors of, or just sympathetic with Columbia University to join us for singing the 5 p.m Sunday Masses in St. Paul’s Chapel during the University term. This Sunday is the opening Mass of the year, and rehearsal is in the chapel at 4 p.m. Very efficient, no? How else will you get to perform lovely music in superb acoustics and awe-inspiring visual surroundings after about fifty minutes of rehearsal? Let me know if you have any questions or want to let me know that you’re interested, and I’ll e-mail you PDFs of the music to be sung.
Click here to see the people’s leaflet, showing what the music will be:
Publicity
August 17, 2012
Eight seconds from a new profile of me that was done this summer by TV 3, Barcelona.
Bach’s Deathday
July 28, 2012

It may appear that this site has suddenly become organ-centered, but J.S. Bach died 262 years ago today, so surely his last composition (which was appended to the unfinished Art of Fugue) can be allowed today. In it, after his multitude of inventive experiments in setting chorale tunes, he reverted to the most conservative imitative Pachelbel-style type of prelude, in which each phrase is preceded by fore-imitation; and, played by the more recently lamented Gustav Leonhardt, it is surely fitting for our observance of Bach’s death, as it was for the master at that last hour: “Vor deinen Thron tret ich hermit” (Before your throne I now appear):
Straightforward Buxtehude!
July 27, 2012
The only known portrait of Dietrich Buxtehude
On Sunday, I’m going to play it on the organ, with a rather more dramatic effect. But don’t you think this clean counterpoint works well as I play it here at home?
Pedal Exercise, Anyone?
July 26, 2012
Is This the Future of Skilled and Savvy Musicians?
July 25, 2012

Check out the things he is willing (and, credibly, capable) to do.
And, lest you think he’s kidding, check out his organ improvisation (though the Elgar at the end is not, of course, an improvisation):
UPDATE: As I posted to the Piporg-L list:
All of this video is fine, but especially watching this guy as he manages the beginning of the Elgar reminds me how many skillful reflexes a decent organist acquires. My own career has made me sometimes think of myself as other musical things more than “organist,” but being one is truly at the basis of who I am musically.
This consciousness popped out unexpectedly during a lesson last week when I was demonstrating something to a pupil. She asked “How did you know to do that?”
“Because I’m an organist and I’m smart” came out unthinkingly. But there’s something to it.

