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	<title>Comments on: Bermel, Alarms, and the Red Fish</title>
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	<description>Music, Humane Letters, and Media</description>
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		<title>By: Musical Creationism at Carnegie Hall &#171; RogerEvansOnline.com</title>
		<link>http://rogerevansonline.com/2009/06/03/bermel-alarms-and-the-red-fish/#comment-76</link>
		<dc:creator><![CDATA[Musical Creationism at Carnegie Hall &#171; RogerEvansOnline.com]]></dc:creator>
		<pubDate>Mon, 19 Oct 2009 02:07:58 +0000</pubDate>
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		<description><![CDATA[[...] have no excuse not to consider how their behavior can enhance or inhibit the musical experience. (I have railed here before on the poker-face with which some musicians would seem to communicate, visually, the absence of a [...]]]></description>
		<content:encoded><![CDATA[<p>[...] have no excuse not to consider how their behavior can enhance or inhibit the musical experience. (I have railed here before on the poker-face with which some musicians would seem to communicate, visually, the absence of a [...]</p>
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		<title>By: Is It Still Serious Music If the Violist Smiles? &#171; RogerEvansOnline.com</title>
		<link>http://rogerevansonline.com/2009/06/03/bermel-alarms-and-the-red-fish/#comment-59</link>
		<dc:creator><![CDATA[Is It Still Serious Music If the Violist Smiles? &#171; RogerEvansOnline.com]]></dc:creator>
		<pubDate>Tue, 16 Jun 2009 03:40:42 +0000</pubDate>
		<guid isPermaLink="false">http://rogerevansonline.com/?p=1199#comment-59</guid>
		<description><![CDATA[[...] for five very different occasions, and last night brought the best of those. In a program also flagged here recently, Alarm Will Sound gave a Derek Bermel [...]]]></description>
		<content:encoded><![CDATA[<p>[...] for five very different occasions, and last night brought the best of those. In a program also flagged here recently, Alarm Will Sound gave a Derek Bermel [...]</p>
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